SCUBA interview on Art Beat

Kathryn Davis interviewed SCUBA on her radio show “Art Beat” this afternoon. To hear the interview, visit the KVSF podcast page.

SCUBA at James Kelly Contemporary

 

 

 

We are pleased to announce the return of SCUBA (Sandra Wong and Crockett Bodelson) to Santa Fe.

We will open a show of new work on Friday March 27th, with a reception for the artists from 5-7PM.

SCUB-20-opencircuit300dpi-for-YMLP

SCUBA, Open Circuit, 2015

dry erase monoprint

12 x 14 inches

USA Today ranks the Santa Fe Railyard among ten best art districts

Of 20 arts districts nation wide, voters ranked Santa Fe’s Railyard number 6 of 20. Read about it by clicking here.

Tom Joyce speaks at Museum of Arts & Design, NYC

Conversation - Museum of Arts & Design - Tom Joyce

SCUBA at JKC

The artists Sandra Wang and Crockett Bodelson, collectively known as “SCUBA”, will return to Santa Fe for an exhibition at JKC that opens March 27th. Read the full PR HERE.

SCUB 8

New small-scale pieces added to Pard Morrison’s show

 

 

There has been a lot of interest in the smallest pieces in Pard’s show “Some Ghost”, so we have gotten him to produce a few more. They arrived today and are now installed in the show. Each measures just 9 x 9 inches, and they are priced at $1800.

 

MORI 86-Out of You MORI 87-Feels Good MORI 88-Spelunker

Pard Morrison show reviewed in Visual Art Source

MORI 69-Lightbreaker03

 

From Visual Art Source, by Drew Lenihan:

“Pard Morrison’s vibrant cubist work develops an understanding of pixels that have been blown up to grand proportions. From sculpture to smaller works on paper, the artist utilizes enamel, acrylic, and fired pigment to create monumental works that explore forms found in the digital and analog. The work only comes off the wall a few inches, yet the illusory nature of the cubist forms appear to come off the wall, producing a multi-layered effect. This occurs due to the artist’s careful choice of color, which either complement or polarize each other, elevating the other elements in the visual plane, and consequently approaches the viewer.

This also happens with the free-standing sculptures that are included in the exhibition. As the viewer changes position, different forms in the work morph slightly, the change in form is nuanced, yet inescapable, and demonstrates how perspective can change even the most finite form. The material of majority of the sculptures, both freestanding and on the gallery walls, is fired pigment on aluminum. These experiments in color and illusion will please any graphic designer, 8-bit video game junkie and more specifically, aficionados of John Chamberlain and Donald Judd.”

Tom Joyce featured in Santa Fean magazine

Tom Joyce’s recent work for the 9/11 memorial is discussed in the latest Santa Fean magazine. Click here to read: 2015 Santa Fean

Tom Joyce 9.11 memorial Virgil quote

Matt Magee’s 2014 show reviewed in Huffington post

James Drake included in “Visualizing Albuquerque” exhibition

James Drake will have work included in “Visualizing Albuquerque” at the Albuquerque Museum, January 31 – May 3, 2015

At the heart of this collaboration, the Albuquerque Museum’ s exhibition titled Visualizing Albuquerque, curated by Joseph Traugott, will investigate the unique history and present of central New Mexico art and serve as an umbrella for institutional partners. Traugott says, “Albuquerque artists found their own artistic voice after World War II and transformed a western boom town into a thriving art center. This exhibition demonstrates how an influx of modern-minded Californians moved to Albuquerque and changed the city by unleashing the creativity of local artists. The resulting abstract works broke with traditional New Mexico scenes. By including women and their concerns, ethnic perspectives, popular culture subjects, and political content after 1980, Albuquerque artists synthesized an aesthetic that shunned commercial trends. Visualizing Albuquerque revels in the region’s diverse artists and reveals how their distinctive fusions have bridged aesthetic divides and cultural rifts.”

An accompanying book, featuring essays by Traugott, will address various subjects including cycles of cultural domination, art of the region as a spiritual force, and how art acts as a healing antidote to specific challenges Albuquerqueans face.

Cathy Wright, Director of the Albuquerque Museum, states, “The Museum is honored to be hosting Joe Traugott’s ground-breaking reinterpretation of the creative narrative of the city and region. We’re also thrilled to act as hub helping perpetuate the Albuquerque art scene’s tradition of inclusion and collaboration, linking with so many other luminary arts organizations and leaders.”